A school of design established in Weimar, Germany, by Walter Gropius in 1919. The term became virtually synonymous with modern teaching methods in architecture and the applied arts, and with a functional aesthetic for the industrial age; often characterized by emphasis on functional design, the use of a repetitive interval between members of the framework of a building, and the maintenance of purely geometric forms. Often, major building components such as bays, doors, and windows are placed to coincide with this repetitive interval, although the building itself may be asymmetrical.